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Next Exit Review: A Thoughtful, Clever Road Trip Through Death and Regret

“Next Exit,” the debut feature from writer/director Mali Elfman, is a peculiar little film that starts off with a potentially astonishing hook—the kind that could easily be expanded into a limited series without having to stretch things out in any way—only to quickly transform into an all-too-familiar trip through a standard-issue road movie narrative.

Next Exit' Review: End of the Road - The New York Times

It isn’t necessarily bad, per se, and it contains just enough in the way of intriguing elements to more or less hold one’s interest for its running time. However, “Next Exit” never shifts into a higher dramatic gear at any point, and it concludes on a note that is more than a bit unsatisfying.

The Hook Is That The Question About Whether There Is Life After Death Has Been Conclusively Proven.

Scientific evidence has even been released that backs up the fact that the human consciousness does indeed live on after the physical being passes on.

This news understandably rattles the world in a number of ways—suicides are up now that people have been assured that they will be able to move on to another world after they die, while crimes like armed robbery are practically non-existent since the threat of death is now effectively off the table.

Into all of this comes Dr. Stevenson (Karen Gillan), a scientist whose Life Beyond Institute in San Francisco is doing extensive research on this new field of study. Dr. Stevenson is soliciting volunteers to undergo euthanasia so that she and others may be able to track them in the afterlife as a way of gathering more data.

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In New York, Two People Decide To Take The Institute Up On Their Offer.

One is Rose (Katie Parker), a troubled young woman racked by guilt over a lifetime of bad decisions, and the other is Teddy (Rahul Kohli), a genial sort convinced that taking part in the program will bring a sense of purpose to existence.

Teddy has felt seemed aimless ever since he and his mother were abandoned by his father when he was a child. When Rose and Teddy each arrive to pick up their rental cars, they find that they both lack one necessary item—she doesn’t have a credit card and he doesn’t have a license that will be valid past next week—and end up joining forces to rent one car and make the journey together.

If You Have Seen More Than A Few Road Movies, You Can Figure Out What Happens From This Point.

At first, the two barely manage to tolerate each other. But as the journey continues on, we see their relationship change in ways that inspire them to open up to each other about what’s driving them to their literal final destination.

Along the way, they meet up with estranged people from their respective paths—Teddy’s long-unseen father (Marcelo Tubert) and Rose’s practically perfect sister (Rose McIver) and her husband (Nico Evers-Swindell)—in the hopes of achieving some form of catharsis before they pass.

Next Exit' Film Review: Mali Elfman Directs Afterlife Road Trip Movie |  IndieWire



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