The Ninth Gate Ending Explained

The Ninth Gate Ending Explained! Where Does Corso Go At The End Of The Ninth Gate?

Entertainment Movies

The Ninth Gate, a 1999 neo-noir horror-thriller film, was directed, produced, and written by Roman Polanski. This film was inspired by Reverte’s Arturo The Club Dumas. Several filmmakers from the United States, Portugal, France, and Spain worked together to develop Club Dumas. The story revolves around the question of whether or not the book is legitimate. An old book unearthed on our voyage to the end of the world reveals an incredible way of summoning the devil. How to Reach The Ninety-First Gate?

As strange as the closing sequence in The Ninth Gate may be, it shouldn’t surprise that it’s the most puzzling aspect of the film, given how odd it is. Some of the book’s elements were altered by Polanski. However, the film’s final result was utterly unique, including only a few snippets of the book’s plot in its narrative.

When rewriting Club Dumas for the film, the authors must have had something in mind given how out of context and lacking in the information it is. Even while the original conclusion was unexpected, the story had already led us to that place in order to surprise us. We were also led to a conclusion, although it was unrelated to the film’s plot. What happens at the conclusion of the Ninth Gate?

Read More:

The Ninth Gate Ending Explained

Despite what we’ve learned about the film thus far, the finale of The Ninth Gate is always the most perplexing part of the picture, and given how odd it is, that shouldn’t come as a surprise to anybody. Some aspects of the novel were altered by Polanski. The movie’s finale was based on some of the book’s plot points, but it was still original.

While not a problem per se, the fact that it’s so out of context and without any explanations makes you question what the writers were thinking when they adapted Club Dumas for the film.

However, we were led to the original ending by the narrative, which was a little strange. Similarly, we were likewise led to the conclusion, but the conclusion did not make any sense in the context of the movie. How, therefore, does the film come to a close?

After taking the Balkan edition from Corso in his hotel room, Liana uses the book in a demonic ritual, which the latter witnesses. Liana was strangled by Balkan who then fled with Liana’s copy of the etched pages and the engraved pages themselves, with only the young lady chasing him to stop him.

One of the engravings shows Corso following Balkan to a faraway castle where Balkan is about to perform the last ceremony. He lays the engravings on an altar and recites a sequence of phrases for each of the nine engravings after a conflict, then executes his invocation ceremony.

It’s then that Balkan douses himself in gasoline and sets himself on fire, assuming that he will be protected from pain. Flames devour Balkan and he gasps in agony as his summoning fails. Corso manages to free himself, kills Balkan, steals the engravings, and flees.

It is outside where the young Girl emerges and makes love to him; her eyes and face appear to shift as she twists over Corso. His eighth engraving was a fake, she explains, which is why Balkan failed.

The Ninth Gate Ending in Details
The Ninth Gate Ending in Details

She left him a note concerning the eighth engraving before she left Corso, which causes him to go back to the Ceniza brothers. In their abandoned shop, he discovers the true ninth engraving. The Prostitute of Babylon, a lady atop a multi-headed beast, bears a striking likeness to her stranger.

Corso returns to the castle with the last of the engravings in his hands. He exits the ninth door and enters the world of light.

Ebert, one of the world’s most renowned critics, remarked that he underlined the word “What?” in his notes at the end of this film. And it sums up the movie’s conclusion perfectly. In The Ninth Gate, the finale was a bit of a mystery. Instead of letting the story stop with Corso discovering the original etching, Polanski chose to take things a step further.

There is no doubt that the film is a mystery now. The Ninth Gate, on the other hand, portrays Corso as someone who is actively engaged in combating the evil that surrounds him. Balkan, not Corso, is the film’s main villain. There is something about Corso’s demeanor that suggests he isn’t afraid to venture into the murky depths of the criminal underworld.

It was a good fit for Johnny Depp’s acting technique since the character’s gloomy nature was ideally suited to his multilayered approach. What was most troubling was that, when everything had been worked out and settled, you’d expect a somber, if not unhappy conclusion. You’ll note that this never occurred.

The ritual he fought so hard to halt finally defeats Dean Corso, and he disappears into the darkness of the enlightenment. To what end? The film’s finale, on the other hand, doesn’t appear to fit with the rest of the film or the novel; the book ends with the ritual going awry and Corso’s departure.

He returns to the terrifying Ninth Gate, causing the entire film to be wrecked (if it had not been ruined by that point, already).

At the time, I thought the movie had a beautiful atmosphere and a decent storyline despite its weird components until the orgy-like conclusion with Frank Langella’s character and the absolutely nonsensical last scene. I still think that.

In the end, the protagonist succumbs to the lunacy of the Great Old Ones, impotent to resist the forces he had been contending with throughout the novel.

When compared to Lovecraft’s writings, Polanski seemed to indicate that the conflict made logic and that evil gets punished. When we saw Corso walk through the gate, it all made sense.

Why did things go so wrong? Although it’s unlikely that anybody will ever find out, we can surmise that Polanski chose a twist ending, but the surprise wasn’t all that unique, as we’ve already seen.

The temptation of the Ninth Gate, which had captivated Balkan, had now moved on to Corso as a result of the force of the darkness.

That was the goal of the film’s invisible antagonist, and it appeared that Corso’s path wasn’t one in which he battled evil but one in which he became bad himself.

In the end, despite his knowledge of the hazards, Corso just gave in to the evil magic and did what he was curious about. Because nothing in the movie suggests that there may be any other reason for it, it’s impossible to come up with a plausible alternative.

Even the finale doesn’t make sense if you see the movie, but that’s what it is. It’s understandable that we, mere mortals, ended up being puzzled as a result of Roger Ebert’s confusion.

In a way, that’s how this film works: it takes you on a journey through a story that doesn’t make sense when you get there; the journey is enjoyable, even enjoyable at times, but when you reach the destination, all you’re left with is disappointment and the sense of confusion that Balkan must have felt when he realized his ritual had failed.

Leave a Reply

Your email address will not be published.